Inspired by the avant-garde of the 1920s that reinvented contemporary art, we present a proposal that synthesizes several artistic movements from this time:

Suprematism (Malevich, Tatlin), and Constructivism (Mondrian, Lissitsky), placed in an art-deco setting, contemporary in time but very distant conceptually.

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In the 1920s  many artistic movements were born, often contradictory and/or conceptually opposed, as an expression of creative freedom and an explosion of freshness. We found it especially interesting to mix several of these artistic movements within the same editorial project: a synthesized representation of the 20s of the last century.

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Suprematism focused on the fundamental geometric forms where any reference or imitation of nature was avoided. Here conventional art is rejected and sensitivity is sought through geometric abstraction.

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The Art Deco movement, also from the same period, focuses on the ornamentation of spaces, leaving aside functionality: “décor pour le décor”. This will be the environment that will frame the model, combining its ostentatious style with the geometry of the human body within this space, leaving us with a mixture that perfectly represents the 1920s with a modern visual reading 100 years later.

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Today art is based on the eclecticism of previous movements, a combination of a vast palette of colours, ideas and symbols invented in the past.

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We are in the twenties again, in another post-crisis twenties, willing to celebrate another survival, another victory, eager to speed up to another change that we hardly remember the past in a century that changed everything.